Cinematic / Conceptual — Madrid

Both work. If you already have a clear vision, we turn it into a shoot plan. If you only have a feeling or a loose reference, we start there: we build a moodboard together, define palette, wardrobe and a Madrid location, and the idea takes shape before we shoot. What matters is that the final image has intent, not that you arrive with everything solved.

Yes, depending on what the concept asks for. For an editorial or character series I can add make-up and hair, styling guidance and a small studio or location lighting kit. It isn't always needed: many concepts live on natural light and direction alone. We assess it at the idea stage and include it in the per-project budget, so you know the exact scope from the start.

For a personal handheld shoot in public spaces — Gran Vía, Plaza Mayor, the Malasaña streets — a permit usually isn't needed. If the concept calls for tripods, visible lighting gear or a rooftop like the Círculo de Bellas Artes, we plan ahead: some spots require booking or have their own rules. I always flag it beforehand and we choose the location with a legal, calm shoot in mind too.

Yes. We define the usage when budgeting the project. For personal or portfolio use it's part of the standard delivery; for commercial use — a campaign, personal brand, launch — we agree the licence and, if needed, model, wardrobe and credits. Since the work is per project, the budget reflects exactly what you'll use the photos for, with no fine print.