Fashion editorial — Seville

Both work. I have trusted contacts in Seville — styling, hair and make-up — I can add to the team depending on the concept and budget. If you already work with your own team, I'm happy to coordinate with them from the moodboard. The key is deciding it in pre-production, so on shoot day everything flows and no one improvises.

For commercial use it's different from a personal photo. The Plaza de España and public streets allow a handheld camera without a big setup, but a shoot with crew, flashes or tripods may need a municipal permit. The Real Alcázar has specific fees and rules for professional sessions. I handle the necessary permits as part of production; we plan it in pre-production so there are no surprises on shoot day.

It depends on the project, and we put it in writing before starting. For building a model's portfolio, the licence is usually personal and promotional use. For a brand or campaign, we define scope (social, web, press, advertising), territory and duration, and that's reflected in the quote. I'm transparent: no small print or transfers we haven't discussed. Tell me the intended use and we square it.

Yes, it's one of the most common uses. For a portfolio we aim for a range of registers — a more commercial look, an editorial one, a clean beauty portrait — using Seville's different textures in a single session: the grandeur of the Plaza de España, the colour of the Alcázar, the whitewash of Santa Cruz. I direct your pose and expression so the images show range, not just a pretty face. We plan it around the agencies or castings you're aiming for.